0 0
0
No products in the cart.

Shopping Cart

DZOFILM Arles 18/25/35/50/75/100mm (PL_Black_Case_6pcs_Imperial)

40,421.33

  • Full-Frame | T1.4/1.9 to T22 Aperture
  • 18, 25, 35, 50, 75, and 100mm Lenses
  • Painterly Look, Smooth Bokeh
  • 0.8 MOD Gearing/270° Focus Rotation
  • 95mm Front Outside Diameter
  • 16-Blade Iris, M86 Filter Thread
  • Antireflective Micro Coating
  • Vivid, True-to-Life Color Reproduction
  • Minimal Spherical Aberration
  • Includes Lens Case

Items Included


    • Front Cap
    • Rear Cap
    • Support Rod
    • Support Base
    • Shim Set
      • Front Cap
      • PL Rear Cap
      • Shim Set
      • Support Base
      • Support Rod
        • Front Cap
        • PL Rear Cap
        • Shim Set
        • Support Base
        • Support Rod
          • Front Cap
          • PL Rear Cap
          • Shim Set
          • Support Base
          • Support Rod
            • Front Cap
            • PL Rear Cap
            • Shim Set
            • Support Base
            • Support Rod
              • Front Cap
              • PL Rear Cap
              • Shim Set
              • Support Base
              • Support Rod
              • Hard Case
(In Stock)
Quantity
DZOFilm Arles 18mm T1.4 FF/VV Prime Cine Lens (ARRI PL)
 
Cinematic, Painterly Look
Equip your full-frame ARRI PL-mount camera with the Arles 18mm T1.4 FF/VV Prime Cine Lens from DZOFilm to capture consistently sharp, natural-looking imagery. This prime lens has an aperture range of T1.4 to T22, offering excellent low-light capture and an arrestingly shallow depth of field. A 16-blade iris and optical construction of multiple grouped elements provide a soft, natural bokeh and high-quality imagery.
Large-Format Coverage
  • The Arles series lenses have a 46.5mm image circle, providing compatibility with large-format sensors, including full-frame and VistaVision cameras.
  • The resulting increase in light transmission creates enhanced depth and dimension in your images.
Painterly Rendering
Use the Arles series lenses at maximum aperture to create a soft, lower contrast look with slightly swirling peripheral bokeh. A multilayer nano coating enables precise flare control, minimal ghosting, and exceptional color accuracy.
Minimal Breathing and Aberration
  • Floating elements minimize breathing during focus shifts.
  • The inclusion of aspherical elements helps to improve low-light capture.
  • Precision manufacturing includes low-dispersion optical materials that reduce chromatic aberration.
Interchangeable PL Mount
This ARRI PL-mount lens can be used with a separately available Canon EF mount, offering compatibility with a wide range of cine-style, mirrorless, and DSLR cameras. The Arles lenses are compatible with KOOP magnetic rear filters and various optical adapters.
Consistency Across Series
A 95mm outer diameter lets you incorporate different matte boxes or filters into your camera configuration. Each lens in the Arles series has a cine-style design with 0.8 MOD focus and aperture gears. Thanks to similar gearing and outer diameters across the range of lenses, switching between focal lengths is a breeze. The focus ring rotates 270°, and the iris ring 77° for intuitive manual adjustments.
DZOFilm Arles 25mm T1.4 FF/VV Prime Cine Lens (ARRI PL)
 
Cinematic, Painterly Look
Equip your full-frame ARRI PL-mount camera with the Arles 25mm T1.4 FF/VV Prime Cine Lens from DZOFilm to capture consistently sharp, natural-looking imagery. This prime lens has an aperture range of T1.4 to T22, offering excellent low-light capture and an arrestingly shallow depth of field. A 16-blade iris and optical construction of multiple grouped elements provide a soft, natural bokeh and high-quality imagery.
Large-Format Coverage
  • The Arles series lenses have a 46.5mm image circle, providing compatibility with large-format sensors, including full-frame and VistaVision cameras.
  • The resulting increase in light transmission creates enhanced depth and dimension in your images.
Painterly Rendering
Use the Arles series lenses at maximum aperture to create a soft, low-contrast look with slightly swirling peripheral bokeh. A multilayer nano coating enables precise flare control, minimal ghosting, and exceptional color accuracy.
Minimal Breathing and Aberration
  • Floating elements minimize breathing during focus shifts.
  • The inclusion of aspherical elements helps to improve low-light capture.
  • Precision manufacturing includes low-dispersion optical materials that reduce chromatic aberration.
Interchangeable PL Mount
This ARRI PL-mount lens can be used with a separately available Canon EF mount, offering compatibility with a wide range of cine-style, mirrorless, and DSLR cameras. The Arles lenses are compatible with KOOP magnetic rear filters and various optical adapters.
Consistency Across Series
A 95mm outer diameter lets you incorporate different matte boxes or filters into your camera configuration. Each lens in the Arles series has a cine-style design with 0.8 MOD focus and aperture gears. Thanks to similar gearing and outer diameters across the range of lenses, switching between focal lengths is a breeze. The focus ring rotates 270°, and the iris ring 77° for intuitive manual adjustments.
image-47.png
UPC: 842463102842
DZOFilm Arles 35mm T1.4 FF/VV Prime Cine Lens (ARRI PL)
 
Cinematic, Painterly Look
Equip your full-frame ARRI PL-mount camera with the Arles 35mm T1.4 FF/VV Prime Cine Lens from DZOFilm to capture consistently sharp, natural-looking imagery. This prime lens has an aperture range of T1.4 to T22, offering excellent low-light capture and an arrestingly shallow depth of field. A 16-blade iris and optical construction of multiple grouped elements provide a soft, natural bokeh and high-quality imagery.
Large-Format Coverage
  • The Arles series lenses have a 46.5mm image circle, providing compatibility with large-format sensors, including full-frame and VistaVision cameras.
  • The resulting increase in light transmission creates enhanced depth and dimension in your images.
Painterly Rendering
Use the Arles series lenses at maximum aperture to create a soft, low-contrast look with slightly swirling peripheral bokeh. A multilayer nano coating enables precise flare control, minimal ghosting, and exceptional color accuracy.
Minimal Breathing and Aberration
  • Floating elements minimize breathing during focus shifts.
  • The inclusion of aspherical elements helps to improve low-light capture.
  • Precision manufacturing includes low-dispersion optical materials that reduce chromatic aberration.
Interchangeable PL Mount
This ARRI PL-mount lens can be used with a separately available Canon EF mount, offering compatibility with a wide range of cine-style, mirrorless, and DSLR cameras. The Arles lenses are compatible with KOOP magnetic rear filters and various optical adapters.
Consistency across Series
A 95mm outer diameter lets you incorporate different matte boxes or filters into your camera configuration. Each lens in the Arles series has a cine-style design with 0.8 MOD focus and aperture gears. Thanks to similar gearing and outer diameters across the range of lenses, switching between focal lengths is a breeze. The focus ring rotates 270°, and the iris ring 80° for intuitive manual adjustments.
DZOFilm Arles 50mm T1.4 FF/VV Prime Cine Lens (ARRI PL)
 
Cinematic, Painterly Look
Equip your full-frame ARRI PL-mount camera with the Arles 50mm T1.4 FF/VV Prime Cine Lens from DZOFilm to capture consistently sharp, natural-looking imagery. This prime lens has an aperture range of T1.4 to T22, offering excellent low-light capture and an arrestingly shallow depth of field. A 16-blade iris and optical construction of multiple grouped elements provide a soft, natural bokeh and high-quality imagery.
Large-Format Coverage
  • The Arles series lenses have a 46.5mm image circle, providing compatibility with large-format sensors, including full-frame and VistaVision cameras.
  • The resulting increase in light transmission creates enhanced depth and dimension in your images.
Painterly Rendering
Use the Arles series lenses at maximum aperture to create a soft, low-contrast look with slightly swirling peripheral bokeh. A multilayer nano coating enables precise flare control, minimal ghosting, and exceptional color accuracy.
Minimal Breathing and Aberration
  • Floating elements minimize breathing during focus shifts.
  • The inclusion of aspherical elements helps to improve low-light capture.
  • Precision manufacturing includes low-dispersion optical materials that reduce chromatic aberration.
Interchangeable PL Mount
This ARRI PL-mount lens can be used with a separately available Canon EF mount, offering compatibility with a wide range of cine-style, mirrorless, and DSLR cameras. The Arles lenses are compatible with KOOP magnetic rear filters and various optical adapters.
Consistency across Series
A 95mm outer diameter lets you incorporate different matte boxes or filters into your camera configuration. Each lens in the Arles series has a cine-style design with 0.8 MOD focus and aperture gears. Thanks to similar gearing and outer diameters across the range of lenses, switching between focal lengths is a breeze. The focus ring rotates 270°, and the iris ring 77° for intuitive manual adjustments.
DZOFilm Arles 75mm T1.4 FF/VV Prime Cine Lens (ARRI PL)
 
Cinematic, Painterly Look
Equip your full-frame ARRI PL-mount camera with the Arles 75mm T1.4 FF/VV Prime Cine Lens from DZOFilm to capture consistently sharp, natural-looking imagery. This prime lens has an aperture range of T1.4 to T22, offering excellent low-light capture and an arrestingly shallow depth of field. A 16-blade iris and optical construction of multiple grouped elements provide a soft, natural bokeh and high-quality imagery.
Large-Format Coverage
  • The Arles series lenses have a 46.5mm image circle, providing compatibility with large-format sensors, including full-frame and VistaVision cameras.
  • The resulting increase in light transmission creates enhanced depth and dimension in your images.
Painterly Rendering
Use the Arles series lenses at maximum aperture to create a soft, low-contrast look with slightly swirling peripheral bokeh. A multilayer nano coating enables precise flare control, minimal ghosting, and exceptional color accuracy.
Minimal Breathing and Aberration
  • Floating elements minimize breathing during focus shifts.
  • The inclusion of aspherical elements helps to improve low-light capture.
  • Precision manufacturing includes low-dispersion optical materials that reduce chromatic aberration.
Interchangeable PL Mount
This ARRI PL-mount lens can be used with a separately available Canon EF mount, offering compatibility with a wide range of cine-style, mirrorless, and DSLR cameras. The Arles lenses are compatible with KOOP magnetic rear filters and various optical adapters.
Consistency Across Series
A 95mm outer diameter lets you incorporate different matte boxes or filters into your camera configuration. Each lens in the Arles series has a cine-style design with 0.8 MOD focus and aperture gears. Thanks to similar gearing and outer diameters across the range of lenses, switching between focal lengths is a breeze. The focus ring rotates 270°, and the iris ring 82° for intuitive manual adjustments.
DZOFilm Arles 100mm T1.4 FF/VV Prime Cine Lens (ARRI PL)
 
Cinematic, Painterly Look
Equip your full-frame ARRI PL-mount camera with the Arles 100mm T1.4 FF/VV Prime Cine Lens from DZOFilm to capture consistently sharp, natural-looking imagery. This prime lens has an aperture range of T1.4 to T22, offering excellent low-light capture and an arrestingly shallow depth of field. A 16-blade iris and optical construction of multiple grouped elements provide a soft, natural bokeh and high-quality imagery.
Large-Format Coverage
  • The Arles series lenses have a 46.5mm image circle, providing compatibility with large-format sensors, including full-frame and VistaVision cameras.
  • The resulting increase in light transmission creates enhanced depth and dimension in your images.
Painterly Rendering
Use the Arles series lenses at maximum aperture to create a soft, low-contrast look with slightly swirling peripheral bokeh. A multilayer nano coating enables precise flare control, minimal ghosting, and exceptional color accuracy.
Minimal Breathing and Aberration
  • Floating elements minimize breathing during focus shifts.
  • The inclusion of aspherical elements helps to improve low-light capture.
  • Precision manufacturing includes low-dispersion optical materials that reduce chromatic aberration.
Interchangeable PL Mount
This ARRI PL-mount lens can be used with a separately available Canon EF mount, offering compatibility with a wide range of cine-style, mirrorless, and DSLR cameras. The Arles lenses are compatible with KOOP magnetic rear filters and various optical adapters.
Consistency Across Series
A 95mm outer diameter lets you incorporate different matte boxes or filters into your camera configuration. Each lens in the Arles series has a cine-style design with 0.8 MOD focus and aperture gears. Thanks to similar gearing and outer diameters across the range of lenses, switching between focal lengths is a breeze. The focus ring rotates 270°, and the iris ring 90° for intuitive manual adjustments.
 


 


Focal Length
18mm
Maximum Aperture
T1.4
Minimum Aperture
T22
Lens Mount
ARRI PL
Lens Format Coverage
Full-Frame (46.5 mm Image Circle)
Angle of View
Full Frame
Horizontal: 97°
Diagonal: 61°
Vertical: 104°
Focus Scales
Metric, Imperial
Optical Design
15 Elements in 13 Groups
Filter Thread
No
Minimum Focus Distance
11.4" / 29 cm
Aperture/Iris Blades
16
Image Stabilization
No
Lens Mounting
No
Gear Standard
Focus, Iris: 0.8 MOD
Gear Rotation
Focus: 270°
Iris: 76°
Electronic Communication
No
Diameter
Front: 3.7" / 95 mm
Length
4.8" / 121 mm
Weight
3.66 lb / 1.66 kg
Packaging Info
Package Weight
5.83 lb
Box Dimensions (LxWxH)
13.6 x 7.3 x 6.9"

Add your review

Your email address will not be published. Required fields are marked *

Please login to write review!

Upload photos

Looks like there are no reviews yet.

Items Included


    • Front Cap
    • Rear Cap
    • Support Rod
    • Support Base
    • Shim Set
      • Front Cap
      • PL Rear Cap
      • Shim Set
      • Support Base
      • Support Rod
        • Front Cap
        • PL Rear Cap
        • Shim Set
        • Support Base
        • Support Rod
          • Front Cap
          • PL Rear Cap
          • Shim Set
          • Support Base
          • Support Rod
            • Front Cap
            • PL Rear Cap
            • Shim Set
            • Support Base
            • Support Rod
              • Front Cap
              • PL Rear Cap
              • Shim Set
              • Support Base
              • Support Rod
              • Hard Case