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Sound Devices 633 6-Input Compact Field Mixer and 10-Track Digital Recorder

Brand: SOUND DEVICES

MFR: 633

SKU: SF-2443-FROP

9,500.00

The Sound Devices 633 6-Input Field Production Mixer and Digital Recorder is designed for production audio mixing and recording on set and in the field. The unit is housed in a compact lightweight molded metalized carbon-fiber chassis and features six analog inputs: three XLR microphone preamplifier inputs with selectable phantom power, high-pass filters, input limiters,

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Categories: Mixers

The Sound Devices 633 6-Input Field Production Mixer and Digital Recorder is designed for production audio mixing and recording on set and in the field. The unit is housed in a compact lightweight molded metalized carbon-fiber chassis and features six analog inputs: three XLR microphone preamplifier inputs with selectable phantom power, high-pass filters, input limiters, faders and variable pans, as well as three line-level TA3 (mini-XLR) inputs. The first XLR input can also function as an AES digital input and accept AES3 or AES42 inputs with +10 V phantom power for digital microphones. The two XLR outputs can also be used as four channels of AES output.

All of the unit's inputs can be assigned to the mixer's six output buses: left, right, Aux 1, Aux 2, Aux 3, and Aux 4. Selectable input delay on all six inputs and output bus delay on all six buses makes it easy to correct lip-syncing issues between audio and video. The unit's 1/4" headphone output can be configured with different user-presets and a favorite mode allows for quick source selection when monitoring.

The device can record to an SD card, CompactFlash card, or both memory card formats simultaneously in mono or poly WAV or MP3 file formats. The cards can be set to record redundant backups or combinations of WAV and time-coded MP3s for dailies and transcription purposes. The six inputs, output bus left, output bus right, aux 1, and aux 2 can all be recorded to individual tracks at 24-bit 48 kHz resolution for a total of ten tracks. This is useful for having both individual tracks from the six inputs, as well as the recordist's field mix. Up to six tracks can be recorded at 24-bit 96 kHz and 192 kHz sample rates.

The device can be powered by any of four different simultaneously coexistent power sources, including 12 to 18 VDC from an external power supply (sold separately), two removable 7.2 V L-type lithium-ion batteries (sold separately), and six internal AA batteries (NiMH recommended, sold separately). The unit's LCD display indicates battery levels for the various sources. When one power supply is depleted, the mixer will automatically switch to the next power supply without interruption. When all power supplies are depleted, the device's built-in PowerSafe trickle-charge battery will keep the device running for an additional 10 seconds so that all files can be saved and closed properly and ensure that no data is lost. The built-in battery also allows the device to power up and start recording in two seconds for near immediate operation.

The unit is built with dedicated ergonomic controls for all major mixing and recording functions and features an LCD display that can be viewed in all types of lighting. The background of the display can be changed in the menu settings between day and night modes to make the meters easier to read. An integrated high-accuracy Timecode generator supports all common rates and modes. A USB port allows for the connection of a computer keyboard for easy entering of metadata to better organize files. The unit is built to be durable in the field, and includes gasket seals to protect the internal circuitry from the elements

Inputs

Features three high-bandwidth mic/line XLR inputs with selectable phantom power, high-pass filter, input limiter, and variable pan as well as three line-level TA3 connectors

Outputs

Includes six assignable output buses

Lightweight Chassis

Utilizes a molded carbon-fiber chassis to significantly reduce the overall weight of the unit

AES Digital I/O

Accepts AES3 and AES42 inputs with +10 V phantom power for digital microphones on XLR input 1, as well as up to four channels of AES output on XLR outputs 1 and 2

Internal Slate Microphone

Allows verbal recording of the scene and take number

Recording

Records up to 10 individual mono or polyphonic WAV or MP3 tracks at up to 24-bit 48 kHz resolution (6 tracks at up to 96 or 192 kHz sample rates) onto SD and CompactFlash memory cards

Quad Power

Utilizes external 12 to 18 V power supply, two removable 7.2 V L-type lithium-ion batteries, and six internal AA batteries to provide redundant power once each source is depleted

PowerSafe Technology

Utilizes built-in battery to keep the device running for additional 10 seconds after all power sources are depleted so that files may be closed properly and ensure that no data is lost or corrupted

Power-Up

Turns on in approximately two seconds for near instantaneous recording

Control Interface

Features large LCD display that can be viewed in all lighting conditions and combination push-button knobs for menu navigation

Integrated Timecode

Utilizes high-accuracy Timecode generator that supports all common rates and modes

Delay

Allows selectable input and output bus delay on all six inputs and all six outputs for syncing audio and video

Headphone Presets

Allows easy switching between user-configurable presets and headphone favorite mode for monitoring different sources

Metadata Entry

Enables USB computer keyboard entry of recording metadata such as notes

Durability

Housed in a molded metalized carbon-fiber chassis with gasket seals to protect against the elements

 


Analog Inputs
  • Frequency Response
    • 10 Hz to 40 kHz ± 0.5 dB, -3 dB @ 65 kHz (192 kHz sampling rate reference 1 kHz)
  • THD + Noise
    • 0.09% max (1 kHz, 22 Hz–22 kHz BW, fader at 0, 0 dBu output)
  • Equivalent Input Noise
    • -126 dBu (-128 dBV) maximum. (22 Hz – 22 kHz bandwidth, flat filter, trim control fully up)
  • Input Types
    • XLR Mic: active-balanced for use with ≤600 ohm mics, 4k ohm actual; 12V or 48V phantom power, 10 mA max
    • XLR Line: active-balanced for use with ≤2k ohm outputs, 10k ohm actual
    • TA3 Line: active-balanced for use with ≤2k ohm outputs, 10k ohm actual
    • RTN (3.5 mm): unbalanced stereo for use with ≤2k ohm outputs, 30k ohm actual
  • Maximum Input Level
    • XLR Mic: 0 dBu (0 .78 Vrms)
    • XLR Line: +40 dBu (80 Vrms)
    • RTN (3 .5 mm): +24 dBu (12 .4 Vrms)
  • Maximum Gain
    • Mic-In-to-Line-Out: 91 dB
    • Mic-In-to-Aux-Out, -10 Out: 77 dB
    • Line-In-to-Line-Out: 39 dB
  • High-Pass Filters
    • Sweepable 80 Hz to 240 Hz, 12 dB/oct at 80 Hz, 6 dB/octave at 240 Hz
  • Microphone Powering (each analog Input selectable)
    • 12 V Phantom: through 680 ohm resistors, 10 mA per mic available
    • 48 V Phantom: through 6 .8k resistors, 10 mA per mic available
  • Analog Input Limiters (Inputs 1-3)
    • Affects the output of the mic preamps only (‘Trim’ stage) · +16 dBu threshold (fixed)
    • 20:1 limiting ratio
    • 1 mS attack time
    • 500 mS release time

 

Digital Inputs
  • Input Types
    • XLR AES: AES3 or AES42 (10 V power), SRC
  • Digital Input Limiters (Inputs 1-6)
    • Post-fader
    • +6 dBu to +18 dBu threshold (adjustable) · 20:1 limiting ratio
    • 1 mS attack time
    • 500 mS release time
  • AES42
    • AES42 Mode 1, provides +10 V Digital Phantom Power

 

Analog Outputs
  • Output Type
    • XLR Line: Active Balanced for use with ≥600 ohm inputs
    • XLR -10: Active Balanced for use with ≥10k ohm inputs
    • XLR Mic: Active Balanced for use with ≥600 ohm inputs
    • TA3 Active Balanced Mic/Line: pin-2 and 3 driven, for use with ≥3k ohm inputs · X3,X4 (3 .5 mm): Unbalanced, stereo, for use with ≥6k ohm inputs
    • Headphones (1/4”): Unbalanced, stereo, for use with 8-2k ohm headphones
  • Output Impedance (ohms actual)
    • XLR and TA3 balanced outputs: 100 ohms at Line setting, 3 .2k ohms at -10 setting, 150 ohms at Mic setting
    • TA3 Balanced Outs: 1k ohms at Mic and Line settings · X3,X4 (3 .5 mm): 100 ohms
    • Headphones (1/4”): 100 ohms
  • Line Output Clipping Level (1% THD)
    • 20 dBu minimum with 10k load
  • Maximum Output Level
    • Line: +20 dBu (7.8 Vrms)
    • -10: +6 dBu (1.5 Vrms)
    • Mic: -20 dBu (0.078 Vrms)
    • Aux 3/4: +6 dBu (1.5 Vrms)
  • Output Limiters
    • Affects the outputs of the mixer
    • Threshold selectable from +4 dBu to +18 dBu, 1 dB steps · 20:1 limiting ratio
    • 1 mS attack time
    • 500 mS release time
  • Maximum Gain
    • Typical (Trim, Fader, Master, Phones, RTN fully up)
  • Maximum Gain – Mic Level
    • Master Outs (XLR) @ LINE 91 dB
    • Master Outs (XLR) @ -10 77 dB
    • Master Outs (XLR) @ MIC 51 dB
    • X3, X4 Outs (3 .5 mm) 77 dB
    • Headphones (1/4”) 107 dB
  • Maximum Gain – Line Level
    • Master Outs (XLR) @ LINE 51 dB
    • Master Outs (XLR) @ -10 37 dB
    • Master Outs (XLR) @ MIC 11 dB
    • X3, X4 Outs (3 .5 mm) 37 dB
    • Headphones (1/4”) 67 dB
  • Maximum Gain – Return
    • Headphones (1/4”) 5dB

 

Digital Outputs
  • AES3 Output
    • Transformer-balanced AES Out A,B on XLR
    • 110 ohm, 2 V p-p, AES and S/PDIF compatible with RCA adaptor

 

Recording
  • Sampling Frequency
    • 44.1 kHz
    • 47.952 kHz
    • 48 kHz
    • 48.048 kHz
    • 88.2 kHz
    • 96 kHz
    • 192 kHz
  • A/D
    • 24 bit
  • A/D Dynamic Range
    • 114 dB, A-weighted, typical
  • Recording Storage Type
    • SD, SDXC, SDHC Card
    • FAT32 or exFAT formatted, will format media on-board
    • CompactFlash (CF)
    • FAT32 formatted for CF and SD 32 GB, will format memory cards in-unit
  • File Type
    • Record: WAV (Broadcast Wave File format), polyphonic or MP3
    • Playback: WAV (Broadcast Wave File format), polyphonic or MP3

 

Timecode and Sync
  • Modes Supported: off, Rec Run, Free Run, 24h Run, External
  • Frame Rates: 23.976, 24, 25, 29.97DF, 29.97ND, 30DF, 30ND
  • Accuracy: Ambient generator, 0.2 ppm (0.5 frame in 24 hr)
  • Time Code Input: 20k ohm impedance, 0.3 V – 3.0 V p-p (-17 dBu – +3 dBu)
  • Time Code Output: 1k ohm impedance, 3.0V p-p (+3 dBu)
  • Sample/Timecode Accuracy
    • ± 0.2 ppm (0.5 frames per 24 hours)

 

Power
  • External: 10-18 V on locking 4-pin Hirose connector, pin-4 = (+), pin-1 = (-).
  • Removable x 2: 7.2 V (nominal) Sony L-type Li-ion, operational from 6.5–8.5 V,
  • Internal: accepts 6 AA-sized (LR6) batteries, 1.2-1.6 V nominal (NiMH rechargeable compatible)

 

Environmental
  • Operating: -20°C to 60°C, 0 to 90% relative humidity; (non-condensing)
  • Storage: -40°C to 85°C

without batteries

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