This 180mm T2.8 Anamorphic/i SF Prime Lens provides an added anamorphic flair to the classic, natural yet sharp "Cooke look". This Special Flare Cooke lens offers enhanced flares, bokeh, and other aberrations while complementing standard Anamorphic/i lenses. The 180mm prime incorporates an 11-blade iris for cinematic-looking, 2:1 oval bokeh. Designed for use with both digital cinema and film cameras, the Cooke Anamorphic/i SF primes provide a 2x squeeze, and cover image formats up to Super35. For maximum optical performance, aberration, flare, and distortion control extends over the entire image area, and throughout the 180mm's T2.8-22 aperture range. The Anamorphic/i SF primes are color-matched with Cooke's Anamorphic/i, S4/i, 5/i, and mini S4/i series of prime lenses.

Each Anamorphic/i SF prime sports both a hardened PL mount and a cable connection that use Cooke's /i Technology to transmit lens data to compatible cameras. Lens setting data including focal length, aperture, focus, depth of field, etc., are provided in both feet and metric measurements.

The 180mm Anamorphic/i SF Prime Lens features a 6.6' minimum focus distance, focus marks in feet and meters, and a hard, anodized finish. The lens is constructed with 0.8 MOD geared focus and iris rings for use with follow focus, zoom control, and wireless FIZ systems. A large lens barrel, an increased number of focus marks, and Cooke's cam-style focus movement enable precise focus pulls. Focus marks are clearly visible and are engraved on the lens barrel in both feet and meters.

Features

• Enhanced flares, bokeh, and other aberrations with a 2x anamorphic squeeze
• Covers up to Super35 sensors
• Wide T2.8 to T22 aperture range
• Color-matched with other Cooke primes
• PL /i Technology mount will transfer lens data when used with compatible cameras
• 11-blade iris produces 2:1 oval bokeh (out-of-focus highlights)
• 300° of focus barrel rotation
• Common 110mm front diameter across most of the lens line

/i Technology-Compatible Cameras and Partners

Including but not limited to:
Aaton, Andra, Angenieux, ARRI, Atomos, AVID
Birger Engineering, Blackmagic Design, Canon, Chrosziel, Cinematography Electronics
CMotion, Codex, CW Sonderoptics, Element Technica, Fujinon, gbi, IB/E Optics, Leitz, Lexhag
Mark Roberts Motion Control, OptiTek, Ovide, Panavision, Pomfort, P+S Technik, Preston Cinema Systems
RED, Service Vision, Sigma, Sony, The Foundry, The Pixel Farm, Transvideo, Vision Research, Vitec, ZEISS