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Key Features
Using intuitive on‑screen sliders, you can adjust white balance, lens aperture, shutter speed/angle, and ISO. Control is available for most Canon, Fujifilm, Nikon, Panasonic, and Sony mirrorless cameras over USB‑C, and all Z CAM E2 series models (LANC cable required, purchased separately). Check camera compatibility.
Tap the Ninja RAW touchscreen to have the camera automatically focus on your point of interest. Touch‑to‑focus uses the camera’s focus modes—such as focus tracking—for effortless control and sharp images. Check camera compatibility.
50% Brighter 1500‑nit Screen
The Ninja RAW touchscreen is 50% brighter than previous models and includes professional monitoring tools such as EL Zone™ false color, focus peaking, waveform, RGB parade, vectorscope, and more. All Ninja models feature the Atomos OS with a 5‑inch touchscreen interface for greater control and more detailed monitoring than your camera’s built‑in display.
Ninja RAW supports high‑speed CFexpress Type B cards (sold separately), offering faster read/write speeds, higher resolutions, and more reliable recording—ideal for demanding ProRes RAW workflows. Minimum performance/certification requirements apply. View compatible media.
Ninja RAW includes three USB‑C ports: one for power, and two for attaching external storage or network adapters. A future‑ready design built for modern content creation.
A tally light provides a clear visual indicator of recording or broadcast status.
Unique Cable Locking System
Atomos developed a rugged locking ecosystem to secure HDMI and USB‑C cables. Ninja RAW includes special brackets and a USB‑C locking cable for the most robust connection available today.
USB‑C PD: Power directly from compatible USB‑C sources, including power banks and wall adapters. NP‑F Battery: Ideal for field use and long shoots (sold separately). Battery Eliminator: Compatible with all Atomos monitors using NP‑F batteries; requires the Atomos Locking AC Power Adapter (sold separately).
Supports a wide range depending on your camera output:
Ninja RAW comes pre‑activated with: ProRes RAW, ProRes RAW HQ, ProRes LT, ProRes 422, ProRes 422 HQ, and H.265 — ready to shoot immediately.
Supports LOG profiles from Sony, Canon, Panasonic, Nikon, Fujifilm, ARRI, and RED, enabling greater dynamic range and more flexibility in color grading.
Includes: Focus peaking, zoom (2:1, 1:1), zebras, false color (ARRI + EL Zone™), frame guides, SMPTE safe areas, grid markers, waveform, RGB parade, vectorscope, and 3D/1D LUT support (.cube). Also supports anamorphic de‑squeeze for proper monitoring with anamorphic lenses.
A precise false‑color exposure tool that maps exact exposure values based on stops of light—matching how your camera interprets exposure.
Ninja RAW receives LOG signals and provides real‑time Rec.709 LUT preview while recording in ProRes or ProRes RAW. Custom LUTs (.cube) can be loaded from CFexpress or SSD.
View 10+ stops of dynamic range from LOG / PQ / HLG signals. Ninja’s HDR tools replicate post‑production workflows directly on set.
Split long recordings into smaller, user‑defined segments without dropping frames. Smaller files are easier to share and reduce the risk of losing an entire long recording.
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Category | Specification |
Physical | |
Dimensions | 151 mm × 92 mm × 36 mm |
Weight | 400 g |
Mount Points | 1× anti‑rotation 1/4‑inch / 3/8‑inch (top & bottom) |
Environmental | |
Ambient Operating Temperature | Up to 40°C |
Construction | |
Body | Aluminium with ABS plastic |
Cooling | Actively controlled fan + heat sink |
Power | |
Input Voltage | 6.2V – 16.8V DC |
Operating Power | Up to 30W |
Multi‑Function Button | Power / Lock screen |
Continuous Power | NP‑F battery or USB‑C PD |
DC‑In Connector | Via Battery Eliminator (optional) |
D‑TAP | Up to 30W |
USB‑C PD IN | Requires 65W‑capable power supply |
USB‑C PD OUT | Up to 13W |
Display | |
Size | 5.2‑inch |
Resolution | 1920 × 1080 |
Backlight Type | Edge‑lit |
Brightness | 1500 nits |
Aspect Ratio | 16:9 |
Color Gamut | Rec.709 |
Calibration Support | Computer‑driven calibration |
Color Pipeline | |
Gamma | Sony SLog/SLog2/SLog3/HLG, Canon C‑Log/C‑Log2/C‑Log3, ARRI Log CEI160–1600, Panasonic V‑Log/HLG, JVC J‑Log, RED RedLogFilm/Log3G10/Log3G12, Fujifilm F‑Log, PQ (HDR10), HLG, Nikon N‑Log |
Gamut | BT.2020, DCI‑P3, DCI‑P3 D65, Rec.709, Sony S‑Gamut/S‑Gamut3/S‑Gamut3.cine, Canon Cinema DCI‑P3/DCI‑P3plus/Rec.709, Panasonic V‑Gamut, ARRI Alexa Wide Gamut, JVC LS300, RED DragonColor/DragonColor2/RedColor2/RedColor3/RedColor4/RedWideGamut |
3D LUT Display | .cube format |
3D LUT Downstream | Loop out |
3D LUT 50/50 | Yes |
Monitoring Modes | Native / HLG / PQ / 3D LUT |
HDR Output Conversion | Log/HDR → HLG/PQ |
Video Input | |
HDMI | 1× HDMI 2.0 (up to 6Kp30) |
Locking Port | Optional |
Wi‑Fi | No |
USB | 2× USB‑C 2.0/3.0 |
Bit Depth | 8/10‑bit |
Chroma Subsampling | 4:2:2 |
Video Output | |
HDMI | 1× HDMI 2.0 (up to 6Kp30) |
Locking Port | Optional |
Wi‑Fi | No |
USB | 2× USB‑C 2.0/3.0 |
Bit Depth | 8/10‑bit |
Chroma Subsampling | 4:2:2 |
Metadata | RAW metadata via HDMI: WB, EI, shutter speed/angle, iris F‑stop, ISO, gamma, gamut |
Connectivity | |
USB | 2× USB‑C 2.0/3.0 |
Bluetooth | No |
LANC | Yes |
Audio | |
HDMI Audio | 8‑channel, 24‑bit |
Analog Audio In | 3.5mm headphone jack, 2‑channel |
Headphone Out | 3.5mm headphone jack, 2‑channel |
Timecode | |
Embedded | Yes |
HDMI Time of Day | Yes |
Reference/Genlock | No |
LTC | No |
AirGlu RF/BT | No |
Resolution & Frame Rates | |
RAW | Up to 6Kp30 |
4K DCI | 23.98/24/25/29.97/30/50/59.94/60p |
4K UHD | 23.98/24/25/29.97/30/50/59.94/60p |
2K DCI | 2048 × 1080 |
1080p | 23.98/24/25/29.97/30/50/59.94/60/100/120p |
1080 PsF | Converted to P, looped out PsF |
1080i | 50/59.94/60i |
720p | 50/59.94/60p |
Supported Media | |
CFexpress | Atomos‑certified Type B |
USB | Atomos‑certified USB 3.0 |
File System | ExFAT |
Codecs | |
Apple ProRes RAW | ProRes RAW, ProRes RAW HQ |
Apple ProRes | LT, 422, 422 HQ |
H.265 | LQ/MQ/HQ/XQ (8/10‑bit, 4:2:2 & 4:2:0) |
Playback | |
Playlist | Yes (full or sub‑clips) |
Loop | Yes (customizable in/out) |
ProRes RAW | Yes |
ProRes | Yes (with linear PCM audio) |
H.265 | Yes |
Recording | |
Pre‑Roll | ProRes only |
Timelapse | Yes |
Simultaneous Proxy Record | No |
Monitoring Tools | |
Waveform | 3 sizes, adjustable |
RGB Parade | 3 sizes, adjustable |
Vectorscope | 2 sizes, adjustable |
Zoom | 1:1 pixel mapping (4K), 2× zoom |
Focus Peaking | Color/threshold/mono/edges |
False Color | Atomos + ARRI |
EL Zone | Yes |
Zebra | Adjustable |
Isolate Color | Blue only |
Cine Frame Guides | 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3 |
Social Frame Guides | 9:16, 1:1, 1.91:1, 4:5 |
Onion Skin | Yes |
Safe Areas | Action & graphic |
Grid Markers | 9‑grid |
Anamorphic De‑squeeze | 1.25×, 1.33×, 1.5×, 1.6×, 1.65×, 1.79×, 1.8×, 2× |
Display Flip | Vertical only |
Onboard Signal Processing | |
Pulldown Removal | 24/25/30 PsF → P (2:2), 60i → 24p (3:2) |
4K UHD → HD Downscale | Loop out |
DCI Crop | 17:9 → 16:9 loop out |
Remote Control | |
HDMI | Auto trigger (Canon, Sony, Atomos) |
Serial 2.5mm | Calibration (optional cable) |
AirGlu BT/RF | No |
Camera Control | USB‑C: start/stop, ISO, shutter, aperture, WB, touch‑to‑focus |
What's in the Box | |
Included Accessories | Ninja RAW, USB‑C locking adaptor, HDMI locking adaptor, USB‑C locking cable (45cm), Quick Start Guide |
Box Dimensions | 190 mm × 130 mm × 75 mm |
Box Weight | 665 g |
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