Key Features
Camera control & touch to focus on supported cameras
Record in Apple ProRes, Avid DNx or H.265
Quieter, cooler temperature while using
Capture to CFexpress Type B or USB-C storage
Super-bright, 1500nit 5-inch touchscreen display
HDMI 2.0, 12G-SDI & Wi-Fi 6E input and output
Direct upload to ATOMOSphere, Frame.io, Dropbox
Streaming via NDI 6
Timecode sync over RF or Bluetooth
Powered by USB-C, NP-F battery or AC adaptor
Get 20GB cloud storage FREE with ATOMOSphere
Over the air (OTA) firmware updates
Ninja TX monitor-recorder
USB-C locking cable adaptor
USB-C locking cable (45cm)
HDMI locking cable adaptor
2 x Wi-Fi antennas
5 x antenna tip sets (black, white, yellow, green, red)
AirGlu antenna + antenna caps
Quick Start Guide
The Ninja TX GO is the latest evolution of the Ninja series — quieter, cooler, more powerful, and more connected. It features HDMI input/output, Wi‑Fi 6E, and up to 8Kp30 Apple ProRes/RAW recording to ultra‑fast CFexpress Type B or external USB‑C media. Built on the lightning‑fast AtomOS Linux platform, it delivers advanced camera control, professional monitoring tools, and seamless cloud connectivity in a compact 5″ form factor.
The device supports camera control for compatible Canon, Fujifilm, Nikon, Panasonic, Sony mirrorless cameras, and Z CAM E2 models. Touch‑to‑focus enables precise focusing directly from the touchscreen. Preloaded codecs include Apple ProRes/RAW, Avid DNxHD/DNxHR, H.265, and NDI 6 HX3 TX/RX.
The 5.2-inch IPS 1500‑nit touchscreen provides bright, accurate monitoring with HDR support, Rec.709 color, 8/10‑bit processing, and calibration compatibility. Ninja TX GO includes built‑in Camera‑to‑Cloud (C2C) with free ATOMOSphere membership, NDI 6 streaming, and AirGlu RF/Bluetooth timecode sync for multi‑camera workflows. OTA firmware updates ensure the system stays current.
Connectivity includes 12G‑SDI and HDMI input/output with loop‑through and cross‑conversion (HDMI ↔ SDI). HDMI input supports 8K30, 4K60, and 1080p120, with RAW metadata capture (white balance, EI, shutter angle, iris, ISO, gamma, gamut).
Recording options include CFexpress Type B, dual USB‑C ports, and support for LUT uploads and audio devices. Professional monitoring tools include focus peaking, waveform, RGB parade, vectorscope, false color (ARRI & EL Zone), zebras, frame guides, anamorphic de‑squeeze, and 3D/1D LUT support.
Power options include NP‑F L‑series batteries, DC input via battery eliminator, and USB‑C PD (30W). A rugged locking cable system secures HDMI and USB‑C connections. A built‑in tally light provides clear recording/preview status for live production.
Category | Specification |
Dimensions | 151 mm × 92 mm × 36 mm |
Weight | 400 g |
Mount Points | 1× anti‑rotation 1/4‑inch / 3/8‑inch (top & bottom) |
Ambient Operating Temperature | Up to 40°C |
Body Material | Aluminium with ABS plastic |
Cooling System | Actively controlled fan + heat sink |
Input Voltage | 6.2V – 16.8V DC |
Operating Power | Up to 30W |
Multi‑Function Button | Power / Lock screen |
Continuous Power Options | NP‑F battery or USB‑C PD |
DC‑In Connector | Via Battery Eliminator (optional) |
D‑TAP Power | Up to 30W |
USB‑C PD Input | Requires 65W power supply |
USB‑C PD Output | Up to 13W |
Display Size | 5.2‑inch IPS touchscreen |
Display Resolution | 1920 × 1080 |
Backlight Type | Edge‑lit |
Brightness | 1500 nits |
Aspect Ratio | 16:9 |
Color Gamut | Rec.709 |
Calibration Support | Computer‑driven calibration |
Gamma Profiles | Sony SLog/SLog2/SLog3/HLG, Canon C‑Log/C‑Log2/C‑Log3, ARRI Log CEI160–1600, Panasonic V‑Log/HLG, JVC J‑Log, RED RedLogFilm/Log3G10/Log3G12, Fujifilm F‑Log, PQ (HDR10), HLG, Nikon N‑Log |
Gamut Profiles | BT.2020, DCI‑P3, DCI‑P3 D65, Rec.709, Sony S‑Gamut/S‑Gamut3/S‑Gamut3.cine, Canon Cinema DCI‑P3/DCI‑P3plus/Rec.709, Panasonic V‑Gamut, ARRI Alexa Wide Gamut, JVC LS300, RED DragonColor/DragonColor2/RedColor2/RedColor3/RedColor4/RedWideGamut |
3D LUT Display | .cube format |
3D LUT Downstream | Loop out |
3D LUT 50/50 Split | Yes |
Monitoring Modes | Native / HLG / PQ / 3D LUT |
HDR Output Conversion | Log/HDR → HLG/PQ |
HDMI Input | 1× HDMI 2.0 |
HDMI Locking Port | Bracket provided; locking cable sold separately |
SDI Input | 12G‑SDI |
Wi‑Fi (Input Section) | Wi‑Fi 6E |
USB Ports (Input Section) | 2× USB‑C 2.0/3.0 |
Bit Depth (Input) | 8/10‑bit |
Chroma Subsampling (Input) | 4:2:2 |
HDMI Output | 1× HDMI 2.0 (up to 4K60P) |
HDMI Output Locking Port | Optional |
SDI Output | 12G‑SDI |
Wi‑Fi (Output Section) | Wi‑Fi 6E (W52/W53 indoor bands) |
USB Ports (Output Section) | 2× USB‑C 2.0/3.0 |
Bit Depth (Output) | 8/10‑bit |
Chroma Subsampling (Output) | 4:2:2 |
Metadata via HDMI | RAW: WB, EI, shutter angle, iris F‑stop, ISO, gamma, gamut |
Network Connectivity | Wi‑Fi 6E |
USB Connectivity | 2× USB‑C 3.0 |
Bluetooth | Yes |
LANC | Yes |
Signal Conversion | HDMI → SDI, SDI → HDMI |
HDMI Audio | 8‑channel, 24‑bit |
SDI Audio | 12‑channel, 24‑bit |
Analog Audio In | 3.5mm jack, 2‑channel |
Headphone Out | 3.5mm jack, 2‑channel |
Timecode | Embedded |
Time‑of‑Day (HDMI & SDI) | Yes |
Genlock Input | No |
LTC | No |
AirGlu RF | Yes |
AirGlu BT | Yes |
RAW Resolution Support | Up to 6Kp60 / 8Kp30 |
4K DCI Support | 23.98–60p |
4K UHD Support | 23.98–60p |
2K DCI Support | 2048 × 1080 |
1080p Support | 23.98–120p |
1080 PsF | Converted to P, looped out |
1080i Support | 50/59.94/60i |
720p Support | 50/59.94/60p |
CFexpress Media | Atomos‑certified Type B |
USB Media | Atomos‑certified USB 3.0 |
File System | ExFAT |
ProRes RAW Codecs | RAW, RAW HQ |
ProRes Codecs | LT, 422, 422 HQ |
Avid DNxHD | 220x, 220, 145, 36 |
Avid DNxHR | LB, SQ, HQ, HQX |
H.265 Codecs | LQ/MQ/HQ/XQ (8/10‑bit, 4:2:2 & 4:2:0) |
Playback Playlist | Yes |
Playback Loop | Yes |
Playback ProRes RAW | Yes |
Playback ProRes | Yes |
Playback DNx | Yes |
Playback H.265 | Yes |
Pre‑Roll Recording | ProRes, DNxHD only |
Timelapse Recording | Yes |
Simultaneous Proxy Record | Yes |
Waveform | 3 sizes, adjustable |
RGB Parade | 3 sizes, adjustable |
Vectorscope | 2 sizes, adjustable |
Zoom | 1:1 pixel mapping (4K), 2× zoom |
Focus Peaking | Color/threshold/mono/edges |
False Color | Atomos + ARRI |
EL Zone | Yes |
Zebra | Adjustable |
Isolate Color | Blue only |
Cine Frame Guides | 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3 |
Social Frame Guides | 9:16, 1:1, 1.91:1, 4:5 |
Onion Skin | Yes |
Safe Areas | Action & graphic |
Grid Markers | 9‑grid |
Anamorphic De‑squeeze | 1.25×, 1.33×, 1.5×, 1.6×, 1.65×, 1.79×, 1.8×, 2× |
Display Flip | Vertical only |
Pulldown Removal | 24/25/30 PsF → P (2:2), 60i → 24p (3:2) |
4K → FHD Downscale | Loop out |
DCI Crop | 17:9 → 16:9 loop out |
HDMI Remote Control | Auto trigger (Canon, Sony, Atomos) |
SDI Remote Control | SDI trigger (camera selectable) |
Serial 2.5mm | Calibration (optional cable) |
Camera Control (USB‑C) | Start/stop, ISO, shutter, aperture, WB, touch‑to‑focus |
Camera‑to‑Cloud (ATOMOSphere) | Direct progressive upload (20GB free) |
Frame.io Support | Direct upload (separate purchase) |
Dropbox Support | Direct upload (separate purchase) |
Included Accessories | Ninja TX, USB‑C locking adaptor, HDMI locking adaptor, Wi‑Fi antenna, 5× antenna tips (black/white/yellow/green/red), AirGlu antenna, antenna caps, USB‑C locking cable (45cm), Quick Start Guide |
Box Dimensions | 190 mm × 130 mm × 75 mm |
Box Weight | 665 g |
Warranty | Included |
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Ninja TX monitor-recorder
USB-C locking cable adaptor
USB-C locking cable (45cm)
HDMI locking cable adaptor
2 x Wi-Fi antennas
5 x antenna tip sets (black, white, yellow, green, red)
AirGlu antenna + antenna caps
Quick Start Guide