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Key Features
7-inch, 2800nit touchscreen monitor with HDMI input/output, camera control, touch‑to‑focus, and advanced exposure + anamorphic workflow tools.
The Shinobi 7 II features a 2800nit ultra‑bright HDR screen with 1920 × 1200 resolution for clear monitoring indoors or under direct sunlight. Supports Rec.709, PQ, and HLG for HDR and Log workflows.
Adjust white balance, aperture, shutter speed/angle, and ISO directly from the touchscreen using intuitive sliders. A red edge indicator shows internal camera recording status. Supports USB‑C control for Canon, Fujifilm, Nikon, Panasonic, Sony mirrorless, and full control for Z CAM E2 (LANC cable required). Tap the screen to activate touch‑to‑focus, leveraging camera AF modes like tracking for fast, accurate focusing.
Includes focus peaking, 2:1 & 1:1 zoom, zebras, EL Zone™, frame guides, SMPTE safe areas, grid markers, waveforms, RGB parade, vectorscope, and 3D/1D LUT support (.cube uploads). Anamorphic de‑squeeze options and 16:9 social framing streamline cinematic and social‑media workflows.
EL Zone provides precise false‑color exposure based on exact light stops rather than broad IRE ranges, giving consistent, accurate exposure feedback that matches how cameras interpret dynamic range.
Preview graded looks in real time by applying custom .cube LUTs from SD card. Ideal for LOG shooting and matching Rec.709 output during production.
The 2800nit panel excels in daylight shooting. View 10+ stops of dynamic range from Log/PQ/HLG signals, replicating post‑production HDR workflows directly on set.
Supports calibration using Calibrite Display Pro HL / Plus HL via the Atomos Calibrator app, ensuring accurate HDR and Rec.709 monitoring.
HDMI input/output enables easy rig integration or passthrough to another display. USB‑C adds camera control, letting you adjust key settings directly from the Shinobi 7 II touchscreen.
| Category | Specification |
|---|---|
| Physical | |
| Dimensions (W × H × D) | 188 × 120 × 23 mm |
| Weight | 401 g (excluding battery) |
| Mounting Points | 1× anti‑rotation 1/4" / 3/8" (top & bottom) |
| Environmental | |
| Operating Temperature | Up to 40°C |
| Construction | |
| Body Material | ABS polycarbonate |
| Cooling | Passive heat sink |
| Power | |
| Input Voltage | 6.2V – 16.8V |
| Operating Power | 5.8V – 7.2V |
| Multi‑Function Button | Power / Lock screen |
| Continuous Power | NP‑F battery or USB‑C PD |
| DC‑IN Connector | Via optional Battery Eliminator |
| DTAP | Up to 13W |
| USB‑C PD IN | 45W capable (requires PD supply) |
| USB‑C PD OUT | Up to 13W |
| Display | |
| Size | 7" HDR screen (2800 nits calibrated peak) |
| Resolution | 1920 × 1080 |
| Backlight Type | Edge‑lit |
| Brightness | 2800 nits (calibrated peak) |
| Aspect Ratio | 16:9 |
| Color Gamut | Rec.709 |
| Calibration Support | On‑device (Calibrite probe via USB‑C) or Atomos Calibrator (PC/Mac) |
| Color Pipeline – Gamma | Sony S‑Log/S‑Log2/S‑Log3/HLG, Canon C‑Log/C‑Log2/C‑Log3, ARRI Log CEI160–1600, Panasonic V‑Log/HLG, JVC J‑Log, RED RedLogFilm/Log3G10/Log3G12, Fuji F‑Log, PQ (HDR10), HLG, Nikon N‑Log |
| Color Pipeline – Gamut | BT.2020, DCI‑P3, DCI‑P3 D65, Rec.709, Sony S‑Gamut/S‑Gamut3/S‑Gamut3.cine, Canon Cinema DCI‑P3/DCI‑P3plus/Rec.709, Panasonic V‑Gamut, ARRI Alexa Wide Gamut, JVC LS300, RED DragonColor/DragonColor2/RedColor2/3/4/RedWideGamut |
| 3D LUT Display | .cube (17 & 33‑point) |
| 3D LUT Downstream | Loop‑out |
| 3D LUT 50/50 | Yes |
| Monitoring Modes | SDR Native / HDR HLG / HDR PQ / 709 LUT / User LUT |
| HDR Output Conversion | No |
| Video Input | |
| HDMI | 1× HDMI 2.0 (locking) |
| USB | 1× USB‑C 2.0/3.0 |
| Bit Depth | 8/10‑bit |
| Chroma Subsampling | 4:2:2 |
| Video Output | |
| HDMI | 1× HDMI 2.0 (locking) |
| USB | 2× USB‑C 2.0/3.0 |
| Bit Depth | 8/10‑bit |
| Chroma Subsampling | 4:2:2 |
| Network | |
| Ethernet | 10GbE (RJ45) |
| USB | 1× USB‑C 3.0 |
| Connectivity | |
| LANC | Yes |
| Audio | |
| HDMI Audio | 8‑channel, 24‑bit |
| Analogue Line‑In | 3.5mm, 2‑channel |
| Headphone Out | 3.5mm, 2‑channel |
| Timecode | Embedded HDMI (display only), Time‑of‑day |
| Genlock / LTC | No |
| Supported Resolutions & Frame Rates | |
| 4K DCI | 23.98/24/25/29.97/30/50/59.94/60p |
| 4K UHD | 23.98/24/25/29.97/30/50/59.94/60p |
| 2K DCI (2048×1080) | Yes |
| 1080p | 23.98/24/25/29.97/30/50/59.94/60/100/120p |
| 1080 PsF | Converted to P and looped out PsF |
| 1080i | 50/59.94/60i |
| 720p | 50/59.94/60p |
| Supported Media | |
| SD Card | Firmware updates & LUT uploads |
| File System | FAT32, NTFS |
| Monitoring Tools | |
| MultiScope | Image / WFM / Vector / Histogram |
| Waveform | 3 sizes, adjustable opacity & brightness |
| Histogram | 3 sizes, adjustable opacity & brightness |
| RGB Parade | 3 sizes, adjustable opacity & brightness |
| Vectorscope | 1 size, adjustable opacity & brightness |
| Zoom | 1× (1:1 pixel for 4K), 2×, 4× |
| Focus Peaking | 4 modes (color, B&W, outline, edge) with adjustable color & intensity |
| False Color | Atomos & ARRI |
| EL Zone™ | Yes |
| Zebra | Adjustable 50%–105% |
| Isolate Channel | Blue‑only |
| Cine Frame Guides | 2.41 / 2.35 / 1.91 / 1.9 / 1.85 / 16:9 |
| Social Frame Guides | 9:16 / 4:5 / 2:3 / 1:1 / 5:4 / 4:3 / 3:2 |
| Safe Areas | SMPTE 93% & 90% |
| Grid Markers | 9‑grid |
| Anamorphic Desqueeze | 2× / 1.8× / 1.79× / 1.65× / 1.6× / 1.5× / 1.33× / 1.25× |
| Display Flip | Horizontal & Vertical |
| External Device Control | |
| USB‑C Camera Control | WB, Shutter Speed/Angle, Aperture, ISO, Overlays, Record Indicator, Touch‑to‑Focus (camera‑dependent) |
| Calibration (Serial) | Via optional USB‑to‑Serial cable |
| What's in the Box | |
| Included Items | Shinobi 7 II, USB‑C 2.0 cable, HDMI & USB‑C locking adapter, Quick Start Guide |
| Box Dimensions | 234 × 171 × 60 mm |
| Box Weight | 750 g |
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